Simon Morgan's Acting School.
Hi everyone.
As an actor of over fifteen years experience, I'm often asked about how
to go about this business of show. Well, I've decided to give you
budding actors and thesps out there some insider tips on how I, an
actor, manage to pull it off.
1. The script.
A script is not just a series of words strung together to make people think you're clever, no, it is the
actor's tool. Many people have said that I'm the tool, but I'm not, I'm
not a tool, the script is the tool, for honing one's character and
bringing the play to life. Read it and try to remember the bits you
highlighted.
2. The character.
In a play once, I had
to play several characters, so I had to really think about what I was
doing for each. We all want to be Indiana Jones sure, but sometimes we
have to play Miss Marple. In order to make sure you are doing a
different character each time, try having a different wig or a different
pair of shoes. Maybe a broadsword or a miner's lamp. And try a
different voice too, but be careful you are appropriate, a broad
Glaswegian accent is apparrently not at all suitable for Miss Marple.
3. The stage
I think it was Judi Dench who said, 'A stage is like a lover, broad,
flat and well lit' ~ maybe not, but it's something she might have said.
Get to know your stage, walk around on it before a show, test it for
knee sliding potential and make sure that there aren't any nails that
might inadvertantly tear your breeches during the last act of Hamlet,
infront of a BBC Film crew.
4. Ad Libs
Ad libs or
'Additional Libbing' is quite hard to do correctly, so be forward
thinking and write them down on your hand before a show, even using bits
of the set to stick them so you don't forget. Trust me, your cast will
thank you afterwards.
5. Other cast members
In a play,
there are often other actors doing things onstage at the same time as
you, so be aware of them and make sure you say your lines to them as
much as possible. Also, in the dressing room afterwards, it's a good
idea to get changed FULLY before you go up to the bar.
6. An Actor's Life
It's hard being an actor. Remembering lines of a play. Remembering people's names. Remembering all the birthdays.
To be a successful actor in the 21st Century requires a lot of guts, as
there are thousands of people who would string you up like a halibut
just to get an email saying that they might be lucky enough to one day
eat in the same restaurant as a Casting Director. So you have to be
better than the average actor on the tube, heading to the same audition
as you. I try to keep fit, eat well, drink my own urine. But the best
thing to do is learn a skill that gives you an edge. Juggling, lion
taming, breathing napalm are all very fun to watch, but they have been
done to be fair. We have ALL been to that audition, where the guy
juggles a fire breathing lion, only to then see he hasn't got the gig
before you; so what can you offer?
I often take selections of
cupcakes to auditons as they are bitches to get right, they say baking
is a science after all. Getting them light and fluffly requires skill.
But try it yourself, and why stop at cupcakes? Try other foodstuffs. I
had an acting chum who took some pasties with him once, and that went
down quite well, as well as curries, pates and homemade preserves.
So, there is a quick introduction to the word of acting as I have found
it. I hope it has proved insightful. Acting is always changing, we are
always, as actors, on the game, so don't rest!
Learn those
skills, eat up all you can, but most of all enjoy it, because if, like
me, you didn't train in anything else, you'll be doing it for the rest
of your life.
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